{"id":17057,"date":"2015-05-02T16:27:38","date_gmt":"2015-05-02T14:27:38","guid":{"rendered":"http:\/\/www.ernestotimor.com\/irregular\/?p=17057"},"modified":"2025-10-26T18:06:06","modified_gmt":"2025-10-26T17:06:06","slug":"mes-champs-visuels-apparitions-reconstructions-une-suite-photographique","status":"publish","type":"page","link":"https:\/\/www.ernestotimor.com\/irregular\/expositions\/expositions-passees-encore-visibles-en-ligne\/mes-champs-visuels-apparitions-reconstructions-une-suite-photographique\/","title":{"rendered":"Mes champs visuels [Apparitions & Reconstructions], une suite photographique"},"content":{"rendered":"

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Soyez attentif…<\/figcaption><\/figure>\n

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Mes champs visuels,<\/em> deux volumes parus, tirages de t\u00eate augment\u00e9s d’un tirage original…<\/figcaption><\/figure>\n

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Chaque cycle a fait l\u2019objet d\u2019une publication en tirage limit\u00e9<\/strong> (50 ex.) dans la collection Surfaces sensibles<\/em> des \u00e9ditions Image Latente. Eh oui, de vrais livres \u2014 grands en format sinon en nombre de pages, plut\u00f4t \u00e9tonnants, un peu beaux, en somme ! Tous les d\u00e9tails et le moyen de commander sur le site des \u00e9ditions Image Latente<\/a>…<\/p>\n






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Expo \u00e0 l’affiche : du 27 avril au 16 mai 2017, \u00e0 La M\u00e9duze (Lyon 1er<\/sup>).<\/strong> Sous le titre Tir\u00e9 au cordeau<\/em>, 8 grands tirages de Mes champs visuels<\/em>, face aux photographies d’Emre Orhun qui fait parler les cordes \u00e0 sa mani\u00e8re… Vernissage le jeudi 27 avril avec le guitariste Jeff Duschek qui performe en live sur la projection de l\u2019int\u00e9grale \u00e0 ce jour des courts films photographiques de Pour que tu ne perdes pas le fil,<\/em><\/a> nouvelle \u00e9tape de ce projet !
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Expo pr\u00e9c\u00e9dente. <\/strong>Ce projet s’est expos\u00e9 pour la premi\u00e8re fois dans le cadre de l’excellent et belge festival Chic & Cheap<\/a> \u00e0 Li\u00e8ge, du 31 juillet au 16 ao\u00fbt 2015.<\/p>\n

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La balade est irr\u00e9guli\u00e8re, elle s\u2019interrompt chaque fois que le paysage dicte une station. Une configuration ind\u00e9finissable, un arrangement du d\u00e9cor, une co\u00efncidence de lumi\u00e8re\u2026 bel endroit pour une apparition !
\nLe photographe d\u00e9plie son tr\u00e9pied, puis il fait son cadre \u2014 au pied de la lettre, un quadrilat\u00e8re qu\u2019il tire au cordeau, accroche comme il peut. Parfois \u00e7a rate, il ne se passe rien dans le collimateur. Que du vent. Mais parfois la grande illusion fonctionne, le fantasme prend corps : cet album en collecte les preuves.<\/p><\/blockquote>\n

Mes champs visuels<\/em> est un projet que j’ai d’abord men\u00e9 au cours de deux petites immersions en paysages naturels. Le cycle 1 a \u00e9t\u00e9 photographi\u00e9 en for\u00eat de Broc\u00e9liande au printemps 2014, le cycle 2 \u00e0 l\u2019\u00e9t\u00e9 2014 dans le Bugey, avec compl\u00e9ments \u00e0 Lyon. Un troisi\u00e8me et dernier cycle est en cours, il se peut qu’il boucle la boucle en for\u00eat de Broc\u00e9liande. Tous les cycles d’apparitions et disparitions se sont faits avec la complicit\u00e9 d’Ang\u00e8le Bangor.<\/p>\n

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Indiscr\u00e9tions sur le cycle 3 (en cours, parution \u00e0 venir).<\/p>\nngg_shortcode_1_placeholder

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Produits d\u00e9riv\u00e9s. <\/strong>Ce projet a engendr\u00e9 une filiation qui ne tient pas en place, intitul\u00e9e Pour que tu ne perdes pas le fil.<\/em> On y retrouve la pelote de cordeau, qui cadre un peu tout \u00e7a. Cette contrainte cr\u00e9ative mise \u00e0 part, l’approche est diff\u00e9rente, voire compl\u00e9mentaire : l’humain est au premier plan, c’est lui qui d\u00e9cide comment tout cela va se d\u00e9rouler, en l’impliquant \u00e0 des degr\u00e9s divers. Ce basculement du c\u00f4t\u00e9 de l’incertain et du d\u00e9roulement intime a fait aussi changer le mode de restitution : c’est le chemin qui importe, ses tentatives et ses retours sur soi, il faut pouvoir glisser le long de cette profusion d’images interm\u00e9diaires, et la restitution passe donc des petits films photographiques, autant que de rencontres, de performances… A d\u00e9couvrir plus en d\u00e9tail ici<\/a>…<\/p>\n<\/div>\n

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