{"id":22259,"date":"2016-07-06T13:46:34","date_gmt":"2016-07-06T11:46:34","guid":{"rendered":"http:\/\/www.ernestotimor.com\/irregular\/?p=22259"},"modified":"2016-07-06T13:55:15","modified_gmt":"2016-07-06T11:55:15","slug":"peinture-a-loeuf","status":"publish","type":"post","link":"https:\/\/www.ernestotimor.com\/irregular\/peinture-a-loeuf\/","title":{"rendered":"Peinture \u00e0 l’\u0153uf"},"content":{"rendered":"
\"Photo<\/a>
shot: june 16 | printed: today | distant outskirts of paris | mirame (y gustame)<\/figcaption><\/figure>\n

Coquetelle assez mauvais genre <\/em>que je vous sers l\u00e0, entre cette peinture rupestre d\u00e9but XXIe si\u00e8cle d\u00e9nich\u00e9e au fond d’une friche sombre et humide, et des mots de l’\u00e9l\u00e9gant et tendancieux Pierre Lou\u00ffs, fin XIXe si\u00e8cle. Un peu de raffinement amoureux ne fera pas de mal au premier ingr\u00e9dient, et un petit pas de c\u00f4t\u00e9 hors des r\u00e8gles du jeu homme-femme ne peut pas non plus faire de mal au second (de Pierre Lou\u00ffs, je crois que j’aime avant tout le tr\u00e9ma sur le \u00ff !)…<\/p>\n

Il prit dans sa poche le dernier de ses \u0153ufs, \u00e9crivit au crayon sur la coquille blanche les six lettres du mot Quiero <\/em>et, choisissant un instant o\u00f9 les yeux de l’inconnue s’attach\u00e8rent aux siens, il lui jeta l’\u0153uf doucement de bas en haut comme une rose.
\nLa jeune femme le re\u00e7ut dans sa main.
\nQuiero<\/em> est un verbe \u00e9tonnant qui veut tout dire. C’est vouloir, d\u00e9sirer, aimer,<\/em> c’est qu\u00e9rir<\/em> et c’est ch\u00e9rir<\/em>. Tour \u00e0 tour et selon le ton qu’on lui donne, il exprime la passion la plus imp\u00e9rative ou le caprice le plus l\u00e9ger. C’est un ordre ou une pri\u00e8re, une d\u00e9claration ou une condescendance. Parfois, ce n’est qu’une ironie.
\nLe regard par lequel Andr\u00e9 l’accompagna signifiait simplement : \u00ab\u00a0J’aimerais vous aimer.\u00a0\u00bb<\/p><\/blockquote>\n

Pierre Lou\u00ffs, La Femme et le Pantin<\/em> (1898).
\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Coquetelle assez mauvais genre que je vous sers l\u00e0, entre cette peinture rupestre d\u00e9but XXIe si\u00e8cle d\u00e9nich\u00e9e au fond d’une friche sombre et humide, et des mots de l’\u00e9l\u00e9gant et tendancieux Pierre Lou\u00ffs, fin XIXe si\u00e8cle. Un peu de raffinement amoureux ne fera pas de mal au premier ingr\u00e9dient, et…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[93,143,40,17],"tags":[74,49,98,44,81,65,34],"class_list":["post-22259","post","type-post","status-publish","format-standard","hentry","category-beaux-arts","category-irregular-3-0","category-litterature","category-quotidien","tag-banlieue","tag-bizarre","tag-corps","tag-couleur","tag-detail","tag-humeur","tag-rencontre"],"yoast_head":"\nPeinture \u00e0 l'\u0153uf ⋆ Ernesto Timor, photographe auteur<\/title>\n<meta name=\"description\" content=\"Coquetelle assez mauvais genre que je vous sers l\u00e0, entre cette peinture rupestre d\u00e9but XXIe et des mots de Pierre Lou\u00ffs, fin XIXe si\u00e8cle.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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